lunes, 7 de marzo de 2016

The 5-Minute Guide to Promoting Your Book with Article Marketing

The 5-Minute Guide to Promoting Your Book with Article Marketing

VERSION 1 
Created on: 09-jun-2011 9:17 by CreateSpaceResources - Last Modified:  09-jun-2011 10:08 by CreateSpaceResources
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The following article was written exclusively for CreateSpace by Joel Friedlander. Joel is the proprietor of Marin Bookworks in San Rafael, California, a publishing services company where he's helped launch many self-published authors. He blogs about book design, writing and self-publishing at www.TheBookDesigner.com. Joel is also the author of the newly-published A Self-Publisher's Companion: Expert Advice for Authors Who Want to Publish.

Authors with new books are constantly on the lookout for new ways to market those books. They know there are a lot of people who might be interested in their subject, but the question that always comes up is, "How do I reach them?"

Most authors don't make use of one of the oldest online marketing techniques. It's one that can still produce a great effect, especially for nonfiction authors. This technique is called article marketing, which is a way of creating awareness for your brand and traffic for your website by writing articles and posting them on online article directories. Authors can leverage the power of article marketing by writing about the subject of their book as an expert in the field.

What can you expect if you decide to dive into an article marketing campaign for your book? Let's look at the steps to take first.

3 Steps to Article Marketing for your Book

1. Identify the keywords people are using to search for information on your topic.

The power of article marketing relies on attracting readers who are looking for information on a particular topic through online searches. The specific words and phrases people use for these searches form keywords. By including these keywords in your articles, people have a greater chance of naturally finding them in their searches.

You need to be very specific about this. A good way to get started is to set aside some time and sit down with the Google Adwords Keyword Tool.

Start off with any words or short three- or four-word phrases that people might use when researching your topic.

This step is absolutely critical to the rest of this campaign, so take your time. Your aim here is to come up with three or four long-tail keywords that give your content a chance to compete in search engines and ultimately bring traffic to your site. For instance, if I was looking for search phrases for my new book, A Self-Publisher's Companion, I might try:

publish a book
self-publishing your book
self-publish a book

2. Write articles that feature those keywords.

Here are some guidelines for the articles you want to write for your article marketing campaign:


  • Keep them to about 500 words
  • Numbered lists ("6 Ways to ...") and bullet lists are very effective
  • Write to an "easy" reading level
  • Avoid long paragraphs (2 or 3 sentences maximum)
  • Use subheads for navigation and to break up copy
  • At the end of your article include a "bio box" or a "resource box." This is where you get to say something about yourself, and put a link that points back to your site.
When it comes to the keywords you found in step 1, use them in your article's headline, in the first paragraph and once or twice more in the body to give your article a greater search relevance.

You can include other links in the body of your article, but make sure they relate directly to the subject. Links should provide the reader with additional resources on that topic, or help to explain an aspect of what you're writing about.

3. Finalize and submit your articles.

This strategy will work best if you can write at least 10 - preferably more - articles. Each should be related to some aspect of your subject and explore only one idea per article.

Spend as much time as possible on the headline. Your article will live or die depending on whether the headline draws people to it. Bad or boring or dull or lifeless headlines simply won't pull readers to your article, no matter how good it is. Also, avoid tricky headlines or those that play on a subject in the news. In this case, fewer people will read and re-post your articles, which is counterproductive to the primary goal of article marketing.

If you need help with headlines, probably the best free resource online to help is Brian Clark's How to Write Great Headlines tutorial series at Copyblogger.com.

Submit to Ezine Articles. There are many other article directories and listing sites, but Ezine Articles is the largest. Since you're just starting out, you can use this service until you're ready to branch out. Later, you can use some of your articles to build pages on Squidoo.com or Hubpages.com, or submit them to other high-ranking article directories like Articlesbase.com or Buzzle.com.

Benefits of the Article Marketing Strategy

There are several ways you benefit from article marketing:

  • Your article is posted at Ezine Articles with links back to your site.
  • Other people will pick up and publish the articles on their own sites, sending you more links.
  • You'll get traffic from people clicking through the links in the article.
  • You'll get pushed higher in search engine rankings due to the steadily increasing number of links from articles pointing to your site.
  • You may be contacted as an expert in your industry, with requests to reprint articles off-line or to contribute content to sites or publications.
  • You will quickly enhance your reputation as an authority in your field.
This is one of the fastest and easiest strategies you can use, and it's basically free. It won't take you long to figure out the format for your articles. After you've posted a few, you can take the long-term approach by only submitting one article per week. In a year, you'll have more than 50 keyword-targeted articles sending traffic your way.

In closing, here are a few more tips for article marketing:


  • Keep a list of possible topics and add to it when you think of one.
  • Don't use your blog posts unless you substantially re-write them.
  • If you have articles written for other purposes like guest posts, answers to email queries, or posts you make in forums in response to questions, turn them into articles and submit them!
The great thing about article marketing is that it takes so little time to get started, but generally offers a high return on investment. Good luck!

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The Hub & Outpost Method to Organize Your Social Media Marketing



The Hub & Outpost Method to Organize Your Social Media Marketing

VERSION 1 
Created on: 03-feb-2011 11:15 by CreateSpaceResources - Last Modified:  03-feb-2011 11:54 by CreateSpaceResources
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The following article was written by Joel Friedlander, a self-published author and book designer. He blogs about book design, self-publishing and the indie publishing life at www.TheBookDesigner.com. Joel is also the proprietor of Marin Bookworks, where he helps authors who decide to publish get to market on time and on budget with books that are both properly constructed and beautiful to read.

Most authors, filmmakers and musicians have gotten the message: you have to be marketing on social media sites if you want to make an impact and, eventually, sell your content.


Social media is indispensable to today's self-published artists, but it's good to remember that social media by itself is one tactic in your overall marketing strategy. Just using social media is not a strategy in itself; it's a way to implement your basic marketing thrust.


Set Up Your Hub


This method of organizing your social media activity requires that you set up a Hub that will be your "home base." It could be a blog or a website. What's important here is that you own it. You own the domain name, it doesn't belong to another entity the way that blogs on blogspot.com or wordpress.com are part of a larger company. You need a place over which you exert ownership, which you can control without worrying about other people's "terms of service."


Here are a few good reasons to use your blog as the hub of your social media strategy:


  • Your blog is frequently updated - This is the place it's easiest to post new material relating to your book or your subject area, and consequently is the most up to date and flexible site you have.
  • Your blog has your list opt-in - One of the reasons you want visitors to stop at your blog is to find the people who are interested enough in what you're doing that they want to stay in touch and want to find out more. Your newsletter or mailing list opt-in form should be prominent on your blog, and you also should offer subscriptions to your blog via email or RSS, another way to keep in touch.
  • Your blog is the best place to release news - Blog software allows you to easily post updates or breaking news items, which then go onto your subscribers through the email or RSS feed. It's the best way to stay in touch with your fans and followers.
  • At your blog you have the best tools for interacting with readers in a robust way over a long term.


Explore to Find Outposts


Outposts depend on your own subject matter and preferences for working, but they have to be places where people interested in your subject congregate.


You might find effective outposts in:

  • Facebook fan page
  • Twitter accounts
  • Forums that deal with your topic
  • Photo sharing sites like your stream on Flickr.com
  • Video sites like your channel on YouTube.com
  • Bookmarking sites like StumbleUpon.com
  • Networking sites like LinkedIn.com
  • Specialized niche sites like those run on Ning.com


Really, there's no limit to the number or type of outposts you create.


At your outposts you might post links to content you've published at your hub. But you'll also contribute content to the outpost sites, too. Outposts are used for:

  • listening to what others in your niche are doing
  • building authority by contributing expert tips and answers to questions
  • testing ideas for marketing or for your next projects
  • networking with other people and influencers in your niche
  • growing your online profile
  • creating links back to your hub


Remember to link to your hub at every outpost. These links create the connections that people will use to travel back to your hub. On Twitter, for instance, the link will show up in your bio, and that will be the first place people click on to find out more about you when they've been intrigued by one of your postings.


Go Forth and Multiply


It's likely that new social media sites with different approaches to connecting people will continue to sprout online. With the hub and outpost model for your social media strategy, it's easy to integrate new locations.


You might decide, for instance, to start building a series of Squidoo lenses about your topic or your book, film or music. Linking back to your blog is a natural way for people who come across your sites on Squidoo to find out more about you.


When they travel back to your blog they'll find links to your other sites, like the site you've set up for your individual projects, your content's Facebook fan page, your Twitter account, and you'll be able to supply links and "follow" buttons for all of them.


From this central location, you will rule your (social) media empire. So go forth, creator, and multiply your voice and your influence, confident that you can make use of all that traffic you generate with your insightful comments and spectacular status updates.


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The Lesser Known Social Media Networks
10 Steps for Authors Who Want to Get Started on Twitter


10 Steps for Authors Who Want to Get Started on Twitter

VERSION 1 
Created on: 12-ago-2010 11:19 by CreateSpaceResources - Last Modified:  26-oct-2010 5:28 by CreateSpaceBlogger
Joel Friedlander.JPG
The following article is by Joel Friedlander, a self-published author and a book designer. It originally appeared on www.TheBookDesigner.com, where Joel blogs about book design, self-publishing and the indie publishing life. Joel is also the proprietor of Marin Bookworks, where he helps authors who decide to publish get to market on time and on budget with books that are both properly constructed and beautiful to read. You can learn more about Joel by visiting his website.

10 Steps for Authors Who Want to Get Started on Twitter

Do you have a fear of Twitter engagement? Do you have an account on the service but don't know quite what to do with it? Are you getting ready to publish a book and realize you have to "get up to speed" with your social media marketing?

A lot of authors I talk to want to learn social media and how it's going to help them sell thousands of books by "going viral." But they hesitate, baffled by how the whole thing works. They know they need to be building their author platforms, but don't know how Twitter fits in.

I don't think you need to buy a book like "Secrets to Twitter Success" because it's really a pretty simple platform. There are only a few things you can actually do on Twitter. Everything else that flows from your involvement with it comes from the network of people you connect with.

And in order to connect with the people you want to tell about your work, you have to forget the whole idea of "how Twitter will sell thousands of books" entirely. Because it won't. Not directly, anyway.

Twitter is powerful, but its power is in connecting to other people, in growing a community around the value of the content and ideas you share. I'm confident you can use it to your benefit if you can only get started.

These are simple things you can do to get going with Twitter, and to learn about what goes on there and how it works.

10 Steps to Getting Started on Twitter:

  1. Get a Twitter account. Make sure your username name isn't too long, 10 or 12 characters should do. Remember that your username on Twitter, if you're going to use it for promoting your book, is part of your branding strategy.

  2. Get some software. There's great free software that makes Twitter a lot more fun and efficient to use than the official website. I like Hoot Suite on my Mac, Twitterific on the iPad and the iPhone, although there are many others. Get one that appeals to you and fool around with it to see how it works. Being able to schedule Tweets in advance is a big advantage.

  3. Seek out your people. Do some searches to find the thought leaders and people with the biggest followings in your niche. By finding just one you can start looking through the list of who they are following to find more people to follow.

  4. Find friendly lists. Twitter lists allow you to create categories of people to follow all at once. For instance, I have a list called "Self-Publishing" with 55 Twitter users self publishers could follow for great information on the field. Try to find lists created by someone in your field. These are a great place to find people to follow too.

  5. Follow the tweets. You should now be following many important people in your niche, and you're likely adding followers too. Keep your focus pretty tight at first so you don't overwhelm yourself with input. Read the tweets from these thought leaders and the people with lots of followers. Click through anything that looks interesting to see what they are linking to. Watch especially for links that get re-tweeted - or passed along - by more than one of the people you're following. Make sure you check out those links.

  6. Keep reading until you get it. There's no rush. I read tweets for two or three months before I sent out any tweets of my own. Be patient and keep watching and soon you'll see why some people are popular and lots of people want to follow them - because they consistently provide links and ideas that are valuable. Or because they make an effort to connect with people individually. You want to be one of those people, so keep reading until you understand what makes them popular to their followers.

  7. Tweet some value. By this time you've seen what's considered valuable in the niche you're following. It's time to become a participant. Do a little web surfing and see if you can find resources that haven't been mentioned recently. Create a short tweet alerting people to this resource, put in a shortened link and tweet it.

  8. Follow the golden ratio. Tweet something of value, or re-Tweet someone else's content or message once or twice for every Tweet you do that promotes your own book, website or other content. This is all about sharing discoveries, sharing content - not about selling. You are building trust and a community of followers at the same time you are receiving value from the people you are following.

  9. Be trustworthy. I think this is done most simply by giving value, and by not tweeting anything you have not personally verified for yourself. Trust is the most important element in the community you are building.

  10. Be generous. Give as much value as you can. Pass along things of interest from others. Create content that has something of value to other people, something that makes their life better in some way. This will be content you're happy to share with your growing Twitter tribe.

Twitter is an amazing phenomenon, considering that it only consists of 140 characters of basic text. The creativity, the energy and vitality on Twitter are astonishing. It can be a great place to connect to people who are interested in your work, and who in turn will send your message out into their own networks of followers.

Make sure you have something for visitors to look at, to download or to sign up for on your website or blog when they get there. And keep an eye on your analytics. You'll find Twitter is a growing source of traffic and potential book buyers if you follow these simple rules.

I think this quote from Zig Ziglar really illustrates how to use Twitter to best advantage:

"You can have everything in life you want, if you will just help other people get what they want."

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Also, be sure to follow @CreateSpace on Twitter!

domingo, 6 de marzo de 2016

En la cueva de Montesinos. Capitulos 4º "Buscando a Azorín en La Mancha". La Ruta de don Quijote. Cervantes


Lubros a la venta en LULU, on-line
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  4.- EN LA CUEVA DE MONTESINOS.
     
       Señor Azorín:
      Por la tarde tocaba visitar la Cueva de Montesinos, ya le dije que iríamos.  Recordamos mi mujer y yo que hace años hicimos una excursión a esta misma cueva, pero en otras condiciones donde tuvimos que pagar la novatada, ahora hemos llegado en coche.  La carretera ha sido ensanchada, en el cruce para Ossa de Montiel y Ermita de San Pedro hay un cruce y hay que tomar a la derecha, muy cerca, a cien metros hay una explanada y un cartel que lo indica, donde han erigido una escultura moderna de hojalata oxidada de don Quijote y Sancho montados sobre Rocinante y el jumento. Al entrar al recinto, a la derecha se levanta una caseta de madera de Información y Turismo y un guía que te acompaña si lo pides, y además te proporciona una linterna para poder hacer un poco de espeleología. De Ruidera a la cueva contabilicé 12 kilómetros.
     Ahora 10-05-2005 la boca de la cueva nos parece más pequeña, rodeado del mismo encinar, hay unos asientos de madera y un cartel indicador de la fauna de la cueva y su historia, con las diferentes especies de murciélagos que la habitan. Cuando menos nos los esperábamos salió de la cueva y por sorpresa un fotógrafo  con  su cámara reflex, en vez de grajos como cuenta Cervantes: «…salieron por ella infinidad de grandísimos cuervos y grajos, tan espesos y con tanta priesa, que dieron con don Quijote en el suelo”. (Cap. XXII, II, parte).
     –¿Cómo está la bajada? –pregunté medroso.
     –Bien, se puede bajar, hay escalones, ¿quiere que le ayude?
     –No gracias, muy amable.
    Bajamos mi mujer y yo a la cueva, despacio, con lento cuidado de no resbalar  hay unos escalones en el terreno y es fácil su bajada, entre los grandes bloques de piedras caídos por desprendimiento que originaron la boca que está a nivel del suelo. No vimos el hornillo de cerámica que dice el cartel que es romano.  Llevaba abierto La Ruta…, por capítulo X «La cueva de Montesinos», que efectivamente como dice usted en su libro «es preciso sortear por entre ellos para bajar a lo profundo», empecé buscando los letreros esculpidos que usted vio: «Miguel Yáñez, 1854», «Enrique Alcázar, 1851», «Domingo Carranza,1870», «Mariano Merlo, 1883». Lamentablemente el tiempo, el humo de las hogueras de algún pastor, el de los hachones de los visitantes ha destruido estos carteles, ahora se leen otros. Son los llamados ahora graffiti, en todos los monumentos aparecen como una señal de auxilio, una profanación de lo sagrado, una estupidez de las almas pequeñas que necesitan dejar una marca para ser recordados.  Desde este punto intermedio más sima que cueva se pueden ver mazacotes de murciélagos colgados desde los techos cerca de las estalactitas, como el Myotis myotis o ratonero y el Rbinolophus ferrum equinum o de herradura, suelen vivir de 10 a doce años, se orientan y localizan a sus presas emitiendo ultrasonidos por la boca y la nariz, en lo que se llama ecolocación, suelen emigrar.
     Desde este punto recordé mis años mozo de espeleólogo en el grupo GEMA de Málaga, donde estuve unos cuatro años, recorrimos todas cada una de las cuevas y simas de esa provincia, en la sima  que llaman  «La Mujer», cerca del albergue del Torcal de Antequera, en el laberinto cárstico o kárstico, estuve a punto de tener un accidente trágico, y  me salvé gracias a la mano que me echó mi amigo y compañero apodado «El Güito», que en el argot caló significa «tener huevos» y él los tenía bien puestos.
    Los dos capítulos que cuenta la hazaña espeleológica de Don Quijote son el 22 y 23 de la II Parte del Quijote, donde se cuenta que don Quijote compró cien brazas de cuerda. Se cuenta en el capítulo 22, del Quijote  que a primeras horas de la tarde llegaron a la cueva de Montesinos, don Quijote, el estudiante y Sancho, cortadas las malezas que ocultaban la entrada de la cueva, ataron fuertemente a Don Quijote y comenzaron a bajarle.  Cuando el estudiante y Sancho se quedaron sin cuerda esperaron un rato y comenzaron a subir a Don Quijote. Hasta las ochenta brazas de cuerda no empezaron a notar peso en la cuerda y cuando a las diez brazas vieron a Don Quijote dormido, que tras despertarse comenzó a contar lo que había visto, y que  Sancho no creyó.    En este capítulo he hallado algunos faltas de equipo, Don Quijote baja por una cuerda, bien, pero no llevaba luminaria: tea, antorchas o hachones, pero hemos de entender que toda esta maravillosa novela no es una crónica del mundo real, sino una visión a través de la imaginación y la fantasía de un indiscutible adalid de la literatura fantástica.
       Y cuando don Quijote salió de la cueva contó que  en ella había visto al primo y amigo de Montesinos, Durandarte, el cual yacía en carne y hueso en un sepulcro de mármol debido a un encantamiento del mago Merlín.  Belerma, dama de Durandarte, se deshace en lágrimas en la tumba del amado y recibe el corazón de su amado de mano de Montesinos.  Su escudero, Guadiana, fue convertido en río y otros muchos amigos y parientes de Durandarte y las hijas de Ruidera convertidas en lagunas.
     En estos dos capítulos se cuenta la hazaña espeleológica de Don Quijote, porque en la época inquisitorial y supersticiosa de Cervantes, el hecho de bajar a una cueva era una verdadera proeza, no había medios técnicos para descender a ellas, y además, la gente, sumamente supersticiosa, temía encontrarse al diablo en los infiernos cavernarios. 
      Cuando Don Quijote sale de la cueva, cree haber pasado dentro tres  días con sus noches, cuando en realidad permaneció cerca de una hora, lo que se llama en literatura, según Jean Ricardou, tiempo de la ficción y tiempo de la narración. Ya  conocemos la narración, ahora analicemos la capacidad creativa y artística de Cervantes cuando es capaz de imaginar un mundo de fantasías por lo que se conoce como tiempo real de la novela y tiempo de la historia.  Los tiempos de la novela son tres: el de la aventura, el de la escritura y el de la lectura.
       Llegó un autobús de escolares, zagalones mal educados, y se acabó el encanto del paisaje quijotesco y azoriniano.  Visitar la cueva ya no es lo que era cuando la visitó don Quijote, o usted mismo, señor Azorín y un servido hace ya muchos años. Pero sin duda alguna allí en la cueva estaba su inmortal presencia, suya y la de don Quijote.

?estuvo Miguel de Cervantes alguna vez en la cueva de Montesinos, o tenía el nombre de oídas.

Yo Ramón Fernández Palmeral sí estuve allí, como demuestras estas fotografías de 2005, para escribir mi libro "Buscando a Azorin en La Mancha" Libro Total.

Ramón Fernández Palmeral es autor novela: El cazador del arco iris






Publicar libros en Amazon. Infograma traducción inglés español términos publicacion. Vocabulario: CraeteSpacer


(Infograma traducción "CreateSapace" al español)
Uno de los mayores problemas con los que nos encontramos muchos escritores que no dominamos bien el inglés, lo tenemos al autopublicar nuestros libros en AMAZON, porque las intrucciones están en inglés. Pero si tenemos paciencia e interés en traducirlos los terminos del inglés al español, la solución de nuestro problema se soluciona. Además del infograma adjunto, os he reccogido un vocubulario que es imprescindible saber y conocer.



One of the biggest problems we encountered many writers that can not read English well, we have to self-publish our books on Amazon, because the instructions are in English. But if we have patience and interest in translating the terms English to Spanish , the solution of our problem is solved. In addition to the attached Infograma , I have reccogido one vocubulario it is essential to know and understand.


Los secretos para escibir una novela o relatos están un libro impreso en Amazon.
Una vez escrita tienes varias opciones o gastarte una pasta en una editorial convencional o acudir a las autopubliaciones digitales: impres o cieberlibro o e:book.

Además existen tutoriales de cómo escribir y publciar libros en Amazon
También es este de Cómo autopulicar en Amazon

Hay un libro Kidle muy interesante titulado: "Cómo escribir y publicar un libro en Amazon", de Ángel Candelaria.


VOCABULARIO INGLES : ESPAÑOL QUE UTILIZA AMAZON

Add to arrive: botón derecho
Appli. Aplicar
Avaible: disponible
Bactgrond: fondo (color del fondo)
Begin yor cover on-line: construir su cubierta
Book mold: lomo del libro
Choose o choosing: elegir
Complet setup: completar configuración
Costs: coste
Cove: cubierta
Delete: borrar
Deling: diseño
Download: descargar
Downloing: descargando
Edit Cover: editar cubierta
Filo. Archivo, carpeta
Help box: caja de ayuda
Hide frames: ocultar
Hide rulers: ocultar
Issues: custiones
Interior: interior texto o libro
Launch: lanzamiento
Learn how make: aprenda cómo hacer
Leave: Salir
Locked: bloquedado
Loading. Cargando
Make change: construir
Marketing: realizar comercializar
Net workin: redes
Next Step: siguiente etapa
Ordern your have complet: pedir una prueba impresa
Posts: mensaje
Proof: prueba
Review: revisar
Ruler: regla
Procesing:
Save: guardar salvar
Save&Continuite: guardar y continaur
Setup: configuara o preparar
Size: tamaño
Spiner: lomo del libro
Submit: enviar
Survey: encuentra
Tags: etiquetas
Themes: temas
This might take
Tothe sedur: configuar
Uploab: subir
Vocabulario ingles español, autopublicar en Amazon
Warring. Advertencia
Work with expert: trabajar con nuestro experto


 http://www.lulu.com/shop/see-more-from-shelf.ep?name=moreFromAuthor&productId=5171044

sábado, 5 de marzo de 2016

Lista de enlaces de calidad

Asi de fácil

Create una cuenta en los siguientes servicios, publica en cada uno, un articulo único de al menos 300 palabras que incorpora 2 enlaces optimizados hacia las páginas  de tu blog que quieres optimizar.

    WordPress.com
    Blogger.com
    Tumblr.com
    Posterous.com
    Amplify.com
    Typepad.com
    Livejournal.com

Esto presupone que has hecho bien el trabajo previo de identificar palabras clave a fuerte potencial.

¡Ya está! Estás hecho un gúru SEO. ¡Enhorabuena!Nada más. Puedes volver a empezar escuchar ruido en Internet, o usar mi hilo de comentarios

martes, 1 de marzo de 2016

Segunda edición. Ampliada. "Simbologia secreta de Viento del Pueblo". Miguel Hernández

                                           (Nueva impresión, contiene índice onomástico. 8.82 €)

LULU, es una prestigiosa editorial on-lin, bajo demanda de los Estos Unidos,  imprime unos trabajos excepciones:

http://www.lulu.com/shop/ramon-fernandez-palmeral/simbolog%C3%ADa-secreta-de-viento-del-pueblo/paperback/product-22588214.html

 PEDIDOS


Precio Normal: $9.80
Precio $8.82
Ahorras: $0.98 ( 10% )
Se envía en un plazo de 3 a 5 días laborales
"Viento del pueblo" (1937) es la obra emblemática de Miguel Hernández, su obra más conocida, leída y recitada en el periodo de guerra, es un canto a la esperanza de la victoria del Ejército Republicano. El significado de viento no queda del todo evidente, a pesar de los esfuerzos de Miguel por explicarlo en el prólogo a Vicente Aleixandre: “Los poetas somos viento del pueblo: nacemos para pasar soplados a través de sus poros y conducir sus ojos y sus sentimiento hacia cumbres más hermosas”. Durante la guerra civil este libro de “poesía de trincheras” fue uno de los más conocidos; en cambio, durante la posguerra, este libro fue proscrito, perseguido y olvidado, no sólo por el contenido de los poemas sino por las fotografías que denuncian una España agrícola y mísera. El investigador hernandiano Ramón Fernández Palmeral ha ahondado en los más recónditos secretos de "Viento del pueblo" y ha realizado comentarios de los significados de los 25 poemas y, además los ha ilustrado.